#CFP: Modern Fiction Studies Special Issue - Enduring Operations: The Wars in Afghanistan and Iraq, #acrel #religion
via Modern Fiction Studies Special Issue - Enduring Operations: The Wars in Afghanistan and Iraq from category: religion July 23, 2014 at 02:24PM http://ift.tt/1tBB6UM Follow Religious Studies Call for Papers on G+
#CFP: The Artist-Critic: Aesthetics and Ideology in Criticism by 20th-Century Writers (Deadline: 30 Sept. 2014)
via The Artist-Critic: Aesthetics and Ideology in Criticism by 20th-Century Writers (Deadline: 30 Sept. 2014) category: theory July 22, 2014 at 02:52PM http://ift.tt/1tBB6nP Religious Studies Call for Papers on G+
#CFP: Kennesaw State University's Third Annual World Literature and Film Conference- [UPDATE] September 25-26, 2014
via Kennesaw State University’s Third Annual World Literature and Film Conference- [UPDATE] September 25-26, 2014 category: theory July 22, 2014 at 12:15PM http://ift.tt/1nryyrg Religious Studies Call for Papers on G+
We would like to invite our readers to contribute to the Religious Studies Project. If you would like to contribute with an interview, book reviews, conference reports, comments or other ideas, we would love to hear from you! Also keep in mind that you can find us July 22, 2014 at 02:00AM via The Religious Studies Project
via Religious Studies Project Opportunities Digest – 22 July 2014 Jane Skjoldli The Religious Studies Project Follow Religious Studies Call for Papers on G+
The relationship between the visual and the literary traces its origins to antiquity. In Rhetoric, Aristotle famously defines rhetoric as ‘the ability to see the available means of persuasion’ (I.2.1). Sight is a vital component of the human cognitive experience; neither education nor persuasion can take place without visualization. Throughout antiquity, philosophical concepts were often conveyed by artistic terminology and visual language and all genres of Classical literature contain lengthy ekphrases.
This panel will examine the relationship between the Classical emphasis on sight and more modern approaches to the visual imagination in literature, philosophy, and theory. The goal of this session will be to understand the modern integration of the literary, philosophical, and the artistic in light of its Classical antecedents, tracing the evolution of the visual imagination from its ancient origins to the present day. Submissions may deal with any genre and possible approaches include (but are not limited to):
* using ancient theories of ekphrasis to interpret pictorial descriptions in more modern literatures and media
* using modern Critical Theory to understand the Classical examples of ekphrasis and the visual evocations of the language used in ancient texts
* analyzing post-Classical allusions to the ancient visual imagination and ekphrases of ancient subject matter
* using modern cognitive approaches to explore the significance of the ancient emphasis on sight and visualization.
Please submit an abstract of 300-500 words to the panel “Seeing is Believing: Antiquity and Beyond” at http://ift.tt/1yQcevx by September 30, 2014. You will need to create a user account through the NeMLA website in order to submit an abstract. Please contact Claire Sommers (firstname.lastname@example.org) with any questions.July 20, 2014 at 09:41PM via category: religion